BORN OF OSIRIS will release its new album, “The Simulation”, on January 11, 2019 via Sumerian Records. A music video for the song “The Accursed” can be seen below.

Guitarist Lee McKinney states: “The first single and video for ‘The Accursed’ plays exactly off of the album titles and themes. People are stuck and addicted to machines, social media, virtual realities and anything that creates a life or reality that’s not their own. Our phones have become an extension of ourselves, a body part. We play games or throw on virtual headsets that literally suck us out of the reality we live and into a fantasy. What’s the future going to look like, a simulation? Could the simulation have already begun?

“Also, this new album keeps the integrity high across the board. I want to make the best songs I could for the people who are listening (and myself), and I want to perform them to their best ability on stage to give the people attending our shows those ‘wow’ moments. We want to give them those concert memories that’ll last a lifetime.”

Vocalist, keyboardist and synth player Joe Buras adds: “We welcome the incorporation of steel, or have we already? It’s hard to prove we are not already in a simulation with the development of AI, advances in brain mapping technology and the inevitable singularity. We now see an age that is either here or on the horizon.”

“The Simulation” track listing:

01. The Accursed
02. Disconnectome
03. Cycles Of Tragedy
04. Under The Gun
05. Recursion
06. Analogs In A Cell
07. Silence The Echo
08. One Without The Other

BORN OF OSIRIS‘s U.S. tour with KILLSWITCH ENGAGE and CROWBAR will start on November 16 and run through December 9.

BILLYBIO, the solo project of BIOHAZARD and POWERFLO guitarist Billy Graziadei, will release its debut album, “Feed The Fire”, on November 30 via AFM Records.

The official 360-degree music video for the “Rise And Slay” single can be seen below.

Says Graziadei: “I love the beginning of a band’s career when the spirit is raw and unbridled, the fire still burning strong in their hearts. You know the feeling — when everything is new and fresh AF! I wanted to capture this moment of the group and preserve that early live intensity in 360 degrees, like you are there with us.

“I always drive directors insane with my ideas, but in the end, Reinout Hellenthal helped me capture the high-powered live experience and bring you on stage with us during the chaos. You can watch this video 100 times and still find new details. Don’t forget to look up!”

“Feed The Fire” can be pre-ordered at this location.

Music has always been the central, unifying force in Graziadei‘s life. Early musical training took place on the Graziadei family’s old, forever out-of-tune upright piano and he began studying music under the guidance of his grandfather and uncle, both of whom he had always admired. So he expanded his musical vocabulary while growing up, finding inspiration in so many forms of music but it wasn’t until he stumbled into the underground world of punk-rock music that his musical taste was really sparked into growth.

Immersing himself in the sounds, perspective, and culture of the punk underground, Billy‘s desire to create new, innovative music led him to the late-’80s hardcore scene in New York City, from Sunday-matinee hardcore shows at CBGBs to Friday-night metal shows at Brooklyn’s L’Amour metal/rock club. It was here that he found his musical home and it was here that Billy helped form a band that would take the metal/hardcore scene by storm. It was the birth of BIOHAZARD. As one of the first bands they combined the urban sounds of hardcore, metal and rap with scorching lyrics describing the forces at work in our modern urban lives.

With an audio-engineering degree and years of experience recording BIOHAZARD, Graziadei opened Firewater Studios. This studio became an incubator for Billy‘s creativity, where he continues to cultivate his talent while producing upcoming bands. During the years of touring with BIOHAZARD, Graziadei collaborated with many different musicians. As a result of this, the friendship with CYPRESS HILL singer Sen Dog turned in 2016 into the supergroup POWERFLO along with bassist Christian Olde Wolbers (ex-FEAR FACTORY) and guitarist Roy Lozano (DOWNSET). While Graziadei continues to work on new POWERFLO songs as he tours around, he decided that the time finally has come for his solo venture.

Billy states: “I’ve always wanted to do a solo release and the timing of everything that I have been working on just seemed to fall in place.

“I always let the creative juices flow, I don’t try and restrict them to fit a certain genre.

“With BILLYBIO, it’s 100% me. No influence from anyone else. This is who I am and what I’ve become. I’m a product of everyone I’ve met, talked with, shared my stories with… and a bit of their stories as well.

“Anyone who’s a fan of what I’ve done, especially with BIOHAZARD, will love this! There’s something there for every fan of heavy underground music!”

According to Billy, “Feed The Fire” is “heavy, fast, groovy and full of energy. I couldn’t have it any other way,” he says. “It’s full of my roots but modern.”

Producer Tue Madsen, who worked on “Feed The Fire”, agrees. “When I was brought in to mix this record, it was with big expectations, and boy, were they met,” he says. “These songs keep the energy level so high and have so much to say. Great deliverance, great songwriting and now me mixing the whole thing. I couldn’t be happier.”

Photo credit: Melissa Hummel

The official video for the song “Bitter” from RED DRAGON CARTEL, the band led by former OZZY OSBOURNE and BADLANDS guitarist Jake E. Lee, can be seen below. The track is taken from RED DRAGON CARTEL‘s sophomore album, “Patina”, which was released on November 9 via Frontiers Music Srl.

The follow-up to RED DRAGON CARTEL‘s eponymous 2014 debut, “Patina” marks the group’s first release with drummer Phil Varone (SAIGON KICK, SKID ROW) and bassist Anthony Esposito. The band’s current lineup is rounded out by singer Darren James Smith.

RED DRAGON CARTEL‘s new album was recorded at Esposito‘s Obscenic Arts studio in Dillsburg, Pennsylvania and was mixed by legendary producer Max Norman, who has previously worked with OZZY OSBOURNE, MEGADETH, SAVATAGE and LOUDNESS, among others.

In addition to being the new bassist for RED DRAGON CARTEL, Esposito co-produced the album alongside Lee.

“I think we had a great production partnership,” says Jake. “He never discouraged me from trying things that were a bit outside the box; in fact, he encouraged it. His attention to detail in the recording of everything was exceptional. Much more than I alone would have toiled over. He has an incredible work ethic that kept me from lapsing into complacency. If we disagreed on how something should be, we’d find a perfect marriage of the two sides, or completely reimagine it. We didn’t settle on anything unless we both agreed it was perfect. If I do another album, I’d love it to be with him again.”

Another new member to RED DRAGON CARTEL is drummer Phil Varone, whose style Lee really appreciated. “Phil is a very solid and groove-oriented player, who is not afraid to turn things upside down to give the song a more unique flavor,” explains Lee.

“Patina” marks a change of style from the debut RED DRAGON CARTEL album, featuring a more bluesy hard rock direction as opposed to its predecessor’s heavier leanings.

Lee says: “The first album was more of a piecemeal production with some of the song ideas being 10 years old and never having more than one player in the room at any time. I wanted to do this one from scratch with all the songs originating and worked on with everyone in the room, on their instruments. It felt much more organic, like the way I used to do it for the first 20 years of my career — more honest to my roots.”

When asked about his musical inspirations for the record, Jake says: “My inspirations for ‘Patina’ are from the artists I loved during my youth. Robin Trower, Santana, BLACK SABBATH, CAPTAIN BEYOND, THIN LIZZY, GRAND FUNK RAILROAD, David Bowie… I could go on and on, but let me also say that there are also hints of SLY & THE FAMILY STONE, Dick Dale, psychedelia and even some George Benson. Don’t let any of that scare you — it all makes sense!”

“Patina” is a definitive statement of Jake‘s unbelievable skills with a monster production from Esposito and a perfect mix, courtesy of Norman, whose relationship with Jake dates back to the guitarist’s days with OZZY OSBOURNE.

The track listing for the disc is as follows:

01. Speedbag
02. Havana
03. Crooked Man
04. The Luxury Of Breathing
05. Bitter
06. Chasing Ghosts
07. A Painted Heart
08. Punchclown (bonus track)
09. My Beautiful Mess
10. Ink & Water

The official music video for “Havana” can be seen below.

“I chose ‘Havana’ as the first song to be released from the new album for a few reasons,” Lee told Guitar World. “First off, it begins with a lone guitar playing the riff, promoting the idea that this is a guitar-heavy record. The song’s production is about as straightforward and basic as it gets on this album and I wanted it to be apparent that, overall, it’s more of an old school approach, as opposed to its predecessor [RED DRAGON CARTEL‘s self titled, 2014 debut album.] And, it’s just a cool riff I couldn’t wait to share with anyone interested in what I’m doing!”

Back in September 2015, RED DRAGON CARTEL was rejoined by Darren James Smith after a period of several months during which the band played shows with a number of other vocalists, including former JONES STREET frontman Shawn Crosby, Canadian singer Paul D’Eath (CITIZENS UNITE, MUSHROOM TRAIL), Chas West (Jason Bonham, LYNCH MOB, 3 LEGGED DOGG) and Michael Beck.

Issued in January 2014, RED DRAGON CARTEL‘s debut CD sold around 5,000 copies in the United States in its first week of release to debut at position No. 69 on The Billboard 200 chart.